Future of Music Coalition’s E-Summit + Backbone Internet Radio

This week’s guest blog post is from Charles McEnerney, Principal, Layers Marketing and Host,Well-Rounded Radio.  He is helping to coordinate this event and working to get the word out well beyond the actual conference.

fmc12-bannerOn Tuesday, November 13th, the Future of Music Coalition will hold its 11th annual Summit in Washington, DC, this year at the New America Foundation from 9 AM-6 PM EST / 6 AM-3 PM PDT.  This year’s event is now at capacity and sold out!

As you may know, the Future of Music Coalition is a national nonprofit organization based in Washington, D.C. Founded in June 2000 by musicians, artist advocates, technologists, and legal experts, the Future of Music Coalition works to ensure that musicians have a voice in the issues that affect their livelihood. FMC’s activities are rooted in real-world experiences and ambitions of working musicians, whose perspectives are often overlooked in policy debates.

Over the years, FMC has provided an important forum for discussion about issues at the intersection of music, technology, policy, and law.

I’ve known about the Future of Music Coalition since 2001 and interviewed two of its co-founders,Jenny Toomey and Michael Bracy for my podcast, Well-Rounded Radio, an interview series featuring musicians and music industry thought leaders.

In 2011 I helped FMC with their Artist Revenue Streams research project, where we asked the question, “How are today’s musician’s earning money?” More than 5,000 US musicians and composers took the survey and the final results have been presented at dozens of music conferences around the world to help people understand changes and trends in how to make a living when making music.

Earlier this year, I had the pleasure of working with George Capalbo and Paul Kamp of Backbone Internet Radio on the JP Music Festival, a music festival in Boston’s Jamaica Plain neighborhood featuring more than 25 artists. The goal of the festival was to put some of our favorite local musical talent in front of a larger audience, The festival, just in its second year and attracting 1,500 people, was heard by more than 9,000 people over the course of one September day with Backbone’s help.

Working with Boston colleges Emmanuel College Radio and Simmons College Radio and their radio stations to broadcast the concert live, it was also distributed through the Intercollegiate Broadcasting System and TuneIn to reach music fans around the world.

For a tiny, new festival to have this reach was extremely exciting for the festival organizers as well as all the musicians who performed and had the opportunity to reach new ears and fans. It helped get the festival’s brand to a global audience and gave all the participating artists another way to reach potential fans. The webcast also gave our sponsors and underwriters exposure through both the live broadcast and post-event plays.

Given the Future of Music Coalition’s mission “that works to ensure a diverse musical culture where artists flourish, are compensated fairly for their work, and where fans can find the music they want,” we wanted to look at new ways to reach people working in the music industry with this daylong event. Streaming audio from the Summit with Backbone Internet Radio is a terrific way for FMC to do that.

Backbone will help with FMCs streaming the event on November 13th, but they’ve also set up apreview station broadcasting now, which features highlights from past Future of Music Summits to give listeners a sneak preview of the kinds of subjects and ideas to be discussed this year. It was quick and simple to set up the station, using Backbone’s OnAirStudio and OnAirDisplay software.

Ultimately, the Future of Music Coalition is going to reach many more people across the US and through this audio stream, helping the organization to accomplish its mission and goals by educating and inspiring musicians.

The speakers and panels at the Summit will tackle big-picture issues like:

    • new ideas about how musicians are making a living
    • federal policies that impact musicians
    • insights and strategies from music industry insiders

View the full event’s schedule.

It’s a great event for musicians, entrepreneurs, academics, legal professionals, technologists, and media personnel.

Everyone listening to the event from around the US and world can ask questions of our live speakers and panelists via social media, as well via:

Need a reminder? RSVP for the E-Summit on Facebook or sign up for an email reminder from FMC.

Kickstart The American Radio Revolution!

I want to tell you a little bit about a project we are supporting as they near the end of their fund-raising effort.  It is “The American Revolution”, how a radio station, politics and rock and roll changed everything.  It is about the start of WBCN and free form radio in the greater Boston area in the late 1960s.

Bill Lichtenstein - Boston HeraldFor the past five years, as hundreds of supporters have shared their personal collections of rare tapes, photos, and memorabilia, Lichtenstein Creative Media has been producing a feature-length documentary film, The American Revolution.  This innovative Kickstarter fund raising campaign will provide the support needed to complete the documentary, which is being produced for theatrical and PBS release in 2012 by the Peabody Award-winning Lichtenstein Creative Media, in conjunction with the non-profit Filmmakers Collaborative.

The effort has mobilized the public and press in an extraordinary way.  See the WCVB Chronicle story at www.KickstartWBCN.com and the amazing story in the Herald. Support on-line has also been unbelievable.  You can get a flavor if you look at the comments on the Kickstarter site. I hope you can help and we look forward to helping to delivering streaming audio for this project shortly!!

Zumix wins National Arts and Humanities Youth Program Award

We here at Backbone would like to congratulate one of our customers, Zumix, on their National Arts and Humanities Youth Program award.

Zumix LogoZUMIX is an East Boston-based nonprofit organization dedicated to building community through music and the arts. Their core belief is that music is the most powerful means of developing adolescent self-identity. Their award-winning music and creative technology programming is designed to equip youth with the tools necessary to reach their full potential, while creating a safe space for youth to explore who they are and who they want to be. Through community events, ZUMIX provides access to top-quality arts experiences for a low-income, under-served neighborhood.

Please listen in to their award winning radio station.  Better yet, send them a contribution to help them with their mission.

Spokane Public Radio gets REMIXed

Spokane Public RadioIt is with great pleasure that we announce that KPBZ, 90.3 FM, Spokane Public Radio is on the air!  Our partners at PRX and their Remix Radio service are providing the programming.

REMIX is an experimental radio stream hosted by PRX to showcase pieces from PRX.org and develop new approaches to public radio formats and sounds.  They are a 24-hour semi-formatless remix of amazing public radio stories, cool podcasts, fascinating interviews, and anything else that makes a sound that we find interesting.

Join Remix on the satellite airwaves all over the world on XM 136 or locally in Spokane at 90.3 FM, serving Central Washington, Oregon, Idaho, and British Columbia or online at remixradio.org

That guy you keep hearing is Roman Mars.  He is the host and content curator of the Public Radio Exchange radio stream. His reported and documentary work has most recently aired on Morning Edition, Weekend America, KALW’s Crosscurrents and WBEZ’s Re:sound. Before going rogue, Mars spent over three years at WBEZ’s Third Coast International Audio Festival as the project senior producer and sound designer, developing their weekly documentary radio program and producing the TCF national broadcast specials for Public Radio International. Mars started his radio career at KALW in San Francisco and was best known as host and executive producer of Invisible Ink, an independent literary audio zine. The show received numerous recognitions from the National Federation of Community Broadcasters and was named “Best of the Bay” by the San Francisco Bay Guardian.